Farci
Maurizio (from Alicante) has managed to travel to the moon and brought them all kinds of songs. His radio program
Full Moon, released in podcast format to support Artegalia Radio, digital terrirorios moves and the creative world of Creative Commons licenses and Copyflet, which is already a declaration of intent: music there is more than big industry and MNCs. But Full Moon beyond any frontier: the speech of Maurizio Farci leads directly musical proposals always suggestive, distinct, focused on creating a podcast universe. Interviews, songs, comments and recollections, where the audience is music information but also the strength of a sentence at the right time. So programs can be heard as a work that begins and ends in each podcast. Maurizio Farci still counts in this interview with So Carnaby Street was founded not forget that travel to the moon also visit other cultural plains. Farci Mauzio on Facebook For those not familiar with "Full Moon", your radio show, a sentence to define ...
A window to the vast musical world that lives in the basement. 
Full Moon? Behind the format you propose is a clear statement about what they want to convey. born from the desire to do something useful, something you enjoy. Listen to the radio all day, and music is one of my passions. Since I am not a musician what better way to stay in the music to create a musical radio program. The choices when buying dedicated to music on Creative Commons or similar licenses is because I think and I found that moving a world rich in the shade with a great creative value. I would also like to think that program can help these artists, and distinct alternatively protect their works, leaving q freedoms they choose for their listeners.
That makes me think your program will also describe all cultural and musical movement that has expanded through the online medium. Since the development of Social Media to the proliferation of Creative Commons licensed music.
Social media, music, photos, books protected with licenses that allow free download, legally, and sometimes for free, or modify the work without needing the permission of the copyright for it is already included in the license that protects it, are the result of those who wish to share and evolve toward a direction for the future. This does not mean it's always free or you do not have to get return to work. If it is a fastest way to spread and be posted: effectively.
How to integrate the program into the social networking phenomenon and the social web? Do you use them?
The program is naturally in these networks (although all or nearly all are regulated under the command of copyrigth). When all is said and done, what I want is as many people as possible hear the music program and share in turn. That is one of the objectives of the licenses being taken by artists who I program. And let's say these platforms are the media which use with free radio programming.
Your music selection is varied. However, have a preference? Undoubtedly, the dirty garage rock and lo-fi. It is a style and attitude that has always fascinated me. The instrumental surf is also very present in the music selection
Full Moon. What are your criteria for choosing the tracks of the program?
"Criteria? Removing what I mentioned in the previous question, all music has a place in this program, with preference for musicians and flu Alicante and surroundings and all the formations that send me their music and everything that I am wandering on the network. The only requirement is that music is free.
full moon is made of Alicante. How important do you give the music scene from Alicante to the time of preparing the program?
is one of the pillars. It is very important to promote training in the area, which are many and very good. Plural enliven the program when they come to display their works.
And yet it is not local. Going far beyond, provides a fairly broad, global. Internet has become an inexhaustible source: groups, styles, musical subcultures ... Not easy to get lost so much on offer?
Yes, there is a lot. The world is enormous. In countries like France, northern Europe and Canada these licenses are more common and work much more with them. I try to put a bit of everything in each program, I try not to focus only on one style or country, to convey to the listener that this phenomenon will soon become a real alternative. From your perspective What are the problems faced by groups benefiting from Creative Commons license?
Well! any problems, just freedom. The limitations of these licenses come when the band or solo artist began to sell, to get on TV, when they sign with a record company. There is a turning step in which the artist has to choose whether to be a musician accounting or the competent institution will take your rights, of course there's a whole debate on these licenses and monopoly. It's complicated. In order
Do it yourself.
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