Lara Designs Costafreda photographed by Eudes de Santana Irritating. Irritating fashion. Irritating fashion with fiction. Irritating fashion with fiction, in real life, would have a runway exit. Irritation, as a sociological concept is discredited. When you think fashion is often obviate the reflection concerned with the limits of wearable . it impracticable
, like its opposite, is a social construction that has been encrypted by the system of fashion and economy. In a sense, this system adheres to conservative pattern, while the avant-garde events, fashion, would be confined to the way it becomes a spectacle or find their correspondence in the environment subcultural trends, which operate in urban and street location to the extent that conceptually indoctrinate the voracity of the emergent minority or fashionista
figure. Moreover, in a spectacle of dress on stage at an exclusive event. David Dolphin is an example of the spectacle of fashion by way of the controversy, but violates his own ideal in the collection at the store. That is the paradox imposed by the fashion system: the vanguard is indispensable and skippered 
then, unconsciously, be relegated to the same institutional and economic forces that have created. Irritating a fashion that would bring the avenues leading to the street, which could be met only in part, to the emergence of Lady Gaga in the world of social life. Partly because the singer, in an act of creative marketing-mix and comprehensive, moves props and accessories to be photographed for a moment beyond the music scene, but disappointed in his figure and respond to signs of an avatar voluble digital, liquid as amending in each appearance. His presence is always stellar, or, to put it another way, in his appearances in the street has been deleted. There is only a gateway for life. There is only one sentence that would bridge it replaces, Within a few months, the subcultural and underground corridor which had moved
singer before the Olympus
Ascesión star system
trendy. 
Lara Designs
Costafreda photographed by Eudes de Santana
productive forces have lost the lead, usually, their courage to face the global conquest of public space, which could be attributed to the conservatism of bystander reaction medium and reflected the very method by which the institutional system of fashion markets its products. That does not mean that there edge, but just spread street mechanical performance is obtained in another parallel production system: trends as an alternative system out-of-itself , distanced from the obvious. The normal rules the social system. The fashion industry (catwalks, designers, brands, manufacturers) is governed, at the end of the process, the state of normalcy even come to the forefront to legitimize the un aura of conservatism that spreads itself in windows.
The art exists as a piece of art, but lost the wheel that may teach for social turmoil and cultural criticism from the same pavements. In the estates of the vanguard art reacts is brave beyond limits. Lara Costafreda evident in his designs, advanced degree, cutting-edge re signs used by some designers of the years 60 (Cardin, Courreges) to the ambivalence of rave-pop of the time and retro-futuristic fantasy. It does not matter much what as practicable so that the design is discussed in the fashion system. Thus I could compare with Rudi Gernreich Costafreda Lara, not for their aesthetic similarities but because both are operating from a cultural cleavage: Fashion is not carried, we think. Introduce the concept of metamod to refer to the reflection caused from the industrial structure itself, cultural, sociological and economic fashion, a reflection that debate to other conceptual strategies, away from the excuse business. Costafreda faces this dilemma in a mímima but adequate. Does not boast of his thought, but come. Part of his work (not all) attempts to interfere in the conceptual road map to ensure that the suit is a system of thought. The Vanguard is impossible there as a practice but when it comes to the window becomes something else,
industry, clothing, utensils, goods, Simble status, requirement.
Enlightenment Costafreda Lara designs photographed by Eudes de Santana
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